As a content creator, I'm always on the lookout for the perfect tools to enhance my audio quality. Sontronics loaned me one of their STC-2 mic kits, a large-diaphragm condenser mic that is normally aimed at vocalists and studio engineers. But how does it work for content creators?
First Impressions: Aesthetics and Build Quality
The moment I unboxed the Sontronics STC2, it was clear that this microphone was designed with both form and function in mind. Its retro-inspired design exudes elegance, making it an immediate standout in my studio setup. The silver finish, reminiscent of pewter, gives it a timeless yet modern appeal. Its pretty hefty too, which implies durability. The parts are precisely machined, and there's a satisfying tactile feel to the microphone. This goes for the shock mount as well.
Accessories
One aspect that sets the STC2 apart is the thoughtful array of accessories that accompanies it. Instead of just a standalone microphone, Sontronics offers a comprehensive package that includes a pop filter, shock mount, microphone pouch, and even a microphone cable. The microphone is practically ready to go straight out of the box.
The pop filter, a crucial accessory for achieving clean vocal recordings, is sizable and multi-layered. However, as I soon discovered during my tests, the pop filter's size presents a trade-off, particularly when it comes to on-camera use. While it offers excellent functionality for vocalists who stand at a distance, it tends to obscure my face when positioned close to the microphone.
Sound Quality
But how does it sound? The frequency response chart provided by Sontronics indicated a distinct bump at around 140 Hertz. In practice, this translates into a rich, warm low-end that lends a sense of fullness to vocal recordings. However, what caught my attention even more was the pronounced bump at approximately 8 kilohertz in the high end. This feature, while contributing to a crisp and detailed sound, also raised the possibility of sibilance issues. It really depends on your voice and the rest of your signal chain though. In practice, I didn't experience any significant sibilance problems.
The mic has two switches on it. One rolls off the low end starting at 75 Hz. The other is a 10 db pad, for working with louder sound sources.
Plosives and Pop Filters
While the STC2 showcased several strengths, it also presented a couple of challenges. Plosives, those explosive sounds that can distort recordings, were a point of concern. However, employing proper microphone technique and speaking off-axis helped mitigate this issue to a great extent.
The pop filter, though offering excellent plosive attenuation, does have a couple of issues. Its substantial size, while beneficial for certain applications, makes on-camera use a little difficult. Also, the attachment design positioned the pop filter farther from the microphone I'd like.
Comparing Other Mics
I decided to compare the STC2 with two other microphones: the SC Electronics SE2200 and the Lauten Audio LA220. These models, similar in size and price point, provided an interesting baseline for comparison.
In terms of aesthetics, the STC2 held its own, exuding a unique charm that set it apart. However, when it came to the sound, each microphone brought its own character to the table. The STC2's distinct 8-kilohertz bump in the high frequencies was noticeable in contrast to the flatter response of the other models. This feature can certainly add an appealing crispness to vocals, although users should be mindful of potential sibilance.
I think the STC-2 is very visually appealing and would be a great addition for content creators appearing on screen. It might make sense to add a separate, smaller pop filter to the setup if you find the supplied one is too overwhelming.